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I was looking at all the life

 

2024

Ink imprints on Gesso board and UV printed on acrylic

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The work captures a fleeting moment amid the changing urban landscape of Singapore, drawing out traces of the past that have faded from collective memory whilst paying attention to the realities of its present. Set in the place that inspired it, the work showcases ink imprints of 58 plant species, each found and identified on-site.

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Over the course of a week, I spent afternoons exploring the open ground of DECK Photography Art Centre—currently a vacant lot nestled in the heart of Singapore's cultural district. Gradually, patterns and connections surfaced within the mass of wild vegetation: ornamental indoor plants, landscaping shrubs, culinary herbs, native and foreign weeds, even young fruit trees—all enduring cycles of aggressive pruning and removal by the authorities.

Before DECK’s takeover, this land lay vacant for three decades. Previously, it was a squatter district, later cleared by the government for urban redevelopment. Like the community that once thrived here, these plants flourished in untamed resilience—and like that lost settlement, they too will soon be erased.

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